Levity teams with Tape B for a night of heavy low end and glossy melodies, bringing their Summer Program to the riverfront Friday at 7 pm. Tape B has built a following on throwback sample chops and sub-flexing drops that nod to classic dubstep while staying fresh. Levity threads pop sensibility into melodic bass, the kind that lifts a crowd in unison. They have partnered with PLUS1, sending a dollar per ticket to suicide prevention, a solid touch for a high-energy bill.

Everwise Amphitheater sits inside White River State Park, a downtown outdoor bowl with pavilion seating up front and a wide lawn that looks back at the skyline. Sunsets hit just right here, and the sound carries evenly from the pit to the grass. It is a bring-a-blanket kind of space with plenty of room to dance near the aisles. Entry is smooth, bars are spaced around the rim, and the river breeze keeps long midsummer sets comfortable.

Audrey Hobert brings The Staircase To Stardom Tour to the Egyptian Room on Saturday, leaning into hook-forward pop with a bright voice and diary-close lyrics. She has been building fast on the strength of live clips and sleek production, delivering big choruses that land clean in a roomy hall. It is an all ages show with doors at 6:30 and an 8 pm start, and she is channeling a portion of each ticket to local arts education through PLUS1.

The Egyptian Room inside Old National Centre is a grand, open ballroom in the historic Murat complex on the edge of Mass Ave, built for loud pop and big singalongs. It is mostly standing room on a flat floor, with riser sections along the sides and back. The room’s Moorish flourishes and tall ceiling give shows a sense of scale, and the bars on both sides keep lines moving. Sightlines are best down the center toward the front third.

Chicago’s Beach Bunny heads to the Deluxe on Sunday with jangly guitars, fizzy pop hooks, and Lili Trifilio’s straight-to-the-gut songwriting. They broke wide with Prom Queen and Sports, then sharpened the formula on Honeymoon and Emotional Creature, turning heartbreak and self doubt into shout-along catharsis. In a small room, their songs hit quick and tight, the kind of set that moves from bounce to tearjerk and back again in under an hour.

Deluxe at Old National Centre is the intimate downstairs club in the Murat complex, a low stage and brick room that caps a few hundred at most. It is standing only, so the energy stays close to the band and the mix is crisp without being harsh. Bartenders are quick, and the room turns over between acts without fuss. The space delivers a living room feel with pro production.

Two pillars of guitar music share the night in Fishers. Band of Horses brings widescreen indie rock and Ben Bridwell’s skyward tenor, the kind that blooms outdoors on songs like The Funeral and No One’s Gonna Love You. Dinosaur Jr answers with fuzzed-out riffs, bulldozer bass, and J Mascis solos that still scorch. It is a rare pairing that spans tender reverb and seat-rattling crunch, built for a summer evening on a big lawn.

The Nickel Plate District Amphitheater anchors downtown Fishers, a community green that turns into a festival field on show nights. The lawn is broad and forgiving, with easy sightlines from blankets near the back to rail riders up front. Food trucks park along the perimeter, parking is straightforward, and the stage and PA have the muscle to carry rock acts cleanly. Families mix with diehards here, and it rarely feels cramped.

The Emo Night Tour takes over The Vogue on Friday for a 21 plus singalong through 2000s emo and pop punk. Resident DJs rip through My Chemical Romance, Paramore, Fall Out Boy, Taking Back Sunday, and the deep cuts that glue the era together. It is wall-to-wall choruses, finger points, and friendly pits, with a little eyeliner nostalgia laced in. This tour runs tight and paces the drops so the floor never stops moving.

Broad Ripple’s Vogue Theatre is a historic art deco room turned club, the city’s go-to for sweat-soaked dance parties and mid-sized touring bands. Capacity hovers just under a thousand, with a roomy floor, a small balcony, and bars tucked along the sides. The sound is punchy without blowing out your ears, security is alert but chill, and the surrounding strip makes pre and post show an easy stroll. It is Indy nightlife central.

Situation Grey returns to The Vogue on Saturday, a 21 plus dance night tuned to new wave, post punk, goth, and synthpop. Local selectors lean into Depeche Mode, New Order, Siouxsie, and modern darkwave cuts that keep the groove shadowy and propulsive. It is a dress-in-black affair with fog, strobes, and a crowd that knows the choruses as well as the drum machines. Expect a steady climb from early sets into a full room sway.

The Vogue handles nights like this with ease. The floorspace invites big circular flows so dancers can stretch out, and the lighting rig can tilt from moody purple washes to sharp strobe accents without washing faces. Bars run quick for a packed room, coat check is efficient, and the staff is used to late clears. Broad Ripple’s sidewalks stay lively well after last call, so slipping out for air or a snack is simple.

Allen Stone brings his elastic tenor and easygoing soul to Fishers on Sunday with a 6:30 pm start, a perfect hour for golden hour harmonies. The Washington singer made his name on silky, gospel-tinged runs and a gift for crowd banter, folding vintage R and B warmth into modern grooves. Tracks like Unaware and Brown Eyed Lover showcase a band that can pocket hard and still leave room for him to soar.

Early evening sets shine at Nickel Plate District Amphitheater. The sun slips behind the pavilion as the lawn cools, and the PA has the clarity to carry quieter soul and funk details. Families roll in with blankets and low chairs, while up front turns into a dance wedge by the second song. It is easy in and out, plenty of restrooms, and the neighborhood grid keeps traffic manageable after the encore.

Spellbound Indy takes over White Rabbit for its July dark rave, hosted by Annie and Andy of A Squared Industries with co host DJ Evil Twin. The format is pure darkfloor energy, stitching EBM, industrial, darkwave, and goth club staples into a relentless blend. Regulars come dressed to the nines in black and chrome, and the booth leans into fog and laser colors that turn the room into a proper underground.

White Rabbit Cabaret sits at the heart of Fountain Square, an intimate room with red velvet accents, a low stage, and a friendly bar crew that keeps the cocktails sharp. It is built for cabaret and dance nights alike, so the sound is tight and the lights sit close to the floor. The space encourages a communal feel, with small tables around the edges and a center floor that becomes a single moving organism.